Trajectories of Arts and Culture Policy in New Zealand
Identifieur interne : 000547 ( Main/Exploration ); précédent : 000546; suivant : 000548Trajectories of Arts and Culture Policy in New Zealand
Auteurs : Peter SkillingSource :
- Australian Journal of Public Administration [ 0313-6647 ] ; 2005-12.
Abstract
This article examines how arts and culture policy has been discussed since the 1960s in New Zealand, showing how it has increasingly been coupled with the construction of national identity. It also suggests that the rhetoric of the current Labour government marks a significant change. Against the traditional understanding of arts and culture as public and cultural goods, whose vital ‐ if intangible ‐ benefits justify the inevitable economic cost, since 1999 they have been fundamentally re‐imagined as contributing to a cohesive society ‐ through the fostering of “national identity” ‐ and also to a dynamic economy ‐ through the creation of jobs. This change is seen as an element of “third‐way” politics, and is argued to limit dangerously the sort of art that can be funded and valued.
Url:
DOI: 10.1111/j.1467-8500.2005.00461a.x
Affiliations:
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<front><div type="abstract" xml:lang="en">This article examines how arts and culture policy has been discussed since the 1960s in New Zealand, showing how it has increasingly been coupled with the construction of national identity. It also suggests that the rhetoric of the current Labour government marks a significant change. Against the traditional understanding of arts and culture as public and cultural goods, whose vital ‐ if intangible ‐ benefits justify the inevitable economic cost, since 1999 they have been fundamentally re‐imagined as contributing to a cohesive society ‐ through the fostering of “national identity” ‐ and also to a dynamic economy ‐ through the creation of jobs. This change is seen as an element of “third‐way” politics, and is argued to limit dangerously the sort of art that can be funded and valued.</div>
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